Pentax Auto 110 & 110 Film

Pentax Auto 110

Kodak Gold 200 110 Cartridge cut open with a hobby knife

Two razor blades and a match box used to cut down 35mm Agfa APX 100 & Fomapan 100 to 16mm

3D Printed 110 Reel beside the Pentax Auto 110

3D printed scanning mask to fit inside of the Epson V550 120 holder

Donald Trump Chinese newspaper

Expired Agfa APX 100 developed in Flicfilm Black White & Green Developer for 6 minutes

St Albert Enjoy Centre

Expired Agfa APX 100 developed in Flicfilm Black White & Green Developer for 6 minutes

Remand Centre

Expired Agfa APX 100 developed in Flicfilm Black White & Green Developer for 6 minutes

Henry’s Grocery

Expired Agfa APX 100 developed in Flicfilm Black White & Green Developer for 6 minutes

Enjoy Centre

Expired Agfa APX 100 developed in Flicfilm Black White & Green Developer for 6 minutes

Enjoy Centre

Expired Agfa APX 100 developed in Flicfilm Black White & Green Developer for 6 minutes

Enjoy Centre

Expired Agfa APX 100 developed in Flicfilm Black White & Green Developer for 6 minutes

Henry’s Grocery

Expired Agfa APX 100 developed in Flicfilm Black White & Green Developer for 6 minutes

Prince Charles Neighbourhood

Expired Agfa APX 100 developed in Flicfilm Black White & Green Developer for 6 minutes

Enjoy Centre

Expired Agfa APX 100 developed in Flicfilm Black White & Green Developer for 6 minutes

Downtown, Edmonton

Expired Agfa APX 100 developed in Flicfilm Black White & Green Developer for 6 minutes

Helpful video for disassembling and re-loading 110 cartridges

Expired Agfa APX 100

Samples from a 100 ft roll of Agfa APX 100 bulk. Developed in Flicfilm’s Black White & Green Developer and scanned on Epson V550

Konica Auto-Reflex

Leica IIIA

Yashica FX-D

Olympus Stylus Epic

Leica IIIA

Pentax 6X7 (Panoramic Adapter)

Samoca LE-II

Agfa APX 100 - Flea Market-1.jpg

Nikon F2

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Nikon F2

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Nikon F2

Leica IIIA

Nikon F2

Samoca LE-II

Nikon F2

Samoca LE-II

Half Frame Panoramic Images

Ongoing half frame panoramic Images taken with Konica Auto-Reflex, Olympus Pen EE-2 and the Yashica 17 EE Rapid

Expired Fujifilm Superia 200 | Olympus Pen ee-2

Flicfilm Ultrapan 100 | Konica Auto-Reflex

Trying lenses by Meyer Optik Görlitz (Trioplan II 35mm f2.8 and Trioplan II 50mm f2.8)

Recently I’ve had to opportunity to try two lenses made by Meyer Optik Görlitz.

These lenses are beautifully constructed and are well known for their unique out of focus rendering and character. A couple of weeks ago I took the Trioplan II 35mm f2.8 as well as the Trioplan II 50mm f2.8 to Banff National Park , Emerald Lake in Yoho National Park and the Muttart Conservatory to put them through the paces.

Nikon ZF with the Meyer Optik Görlitz Trioplan 35mm f2.8 - @2.8

Meyer Optik Görlitz has an incredible history in the world of photography and their heritage lives on through these classic designs. The lenses aren’t clinically sharp but rather provide an artistic rendering that breathe new life into new and old systems. I had the pleasure of shooting the Trioplan II 35mm and 50mm on my Nikon ZF as well as my Nikon FE film camera, I hope you enjoy the results below. These lenses are a blast to use and have been glued to both of my Nikon systems since they arrived. Keep an eye on this post as I will update it as my film images arrive back from the lab.

Nikon FE with an expired roll of Fujifilm Sensia 100

When I took this exposure I had pretty low expectations. I had an expired roll of Fujifilm Sensia 100 loaded in my Nikon FE and the Meyer Optik Trioplan II 35mm f2.8. I set the camera to automatic exposure and opened the aperture wide open to f2.8. It was quite dark so I peered through the finder and adjusted the composition until I could see stars and mountains in the frame. From there, I focused to infinity and thought to myself, “let’s just see what happens”. This is a phrase many of us in the film community can relate to. I actuated the shutter and seconds turned to a minute, then two minutes, three minutes. At this point, I was convinced that my trusty Nikon FE with a dented prism had finally decided to quit on me. After what felt like 4 minutes, the shutter finally closed. “There is absolutely no way that worked out” I thought to myself before heading to bed for the night. When the negatives came back from the lab I was shocked at the results. I can’t wait to mount this frame at look at it in my vintage Argus slide viewer.

Nikon FE
Meyer Optik Görlitz Trioplan II 35mm f2.8
Expired Fujifilm Sensia 100

Nikon FE
Meyer Optik Görlitz Trioplan II 35mm f2.8
Expired Fujifilm Provia 100F

Expired Kodak Tri-X 400 with a King Regula IIID Film Camera

An expired bulk roll of Kodak Tri-X from 1999 was found in a Paterson Bulk Loader. The film was tested in a 1950’s King Regula IIId from west Germany. It was developed for 13.5 minutes in Flicfilm Black White & Green Developer and scanned on an Epson V550.

Expired Kodak Tri-X 400 with a 1934 Leica IIIA

Kodak Tri-X 400 film from 1979 found in an old camera bag. Shot at ISO 100 and developed for 15 minutes with Flicfilm Black White & Green with agitation every minute. Scanned with Epson V550.